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作 者:杨利利 边鹏[1] 马增圆 Yang Lili;Bian Peng;Ma Zengyuan
机构地区:[1]北方工业大学,北京100144 [2]北京建筑大学,北京100044
出 处:《工业设计》2022年第2期126-128,共3页Industrial Design
摘 要:贵州是苗族最大的聚集地,由于环境、地理因素,使这里的苗族保存着原始古朴的民风民俗,苗绣是苗族古老的民间传统手工艺之一,铭记了许多远古的文化和原始艺术的特征,是千百年来苗族妇女智慧的结晶。近年来,由于工业化生产导致苗绣滞后,文化断层,苗绣逐渐淡出了人们的视野。为了让大家深刻、系统地了解贵州苗绣文化,文章对贵州苗绣文化进行挖掘与梳理,探究苗绣在文化创意产品设计中的应用方法,以传播苗绣巨大的文化价值、深厚的文化底蕴和丰富多彩的民族特色,使苗家刺绣文化得以"活态"传承,并为其发展路径提供新思路。Guizhou is the largest gathering place of the Miao nationality.Due to environmental and geographical factors,the Miao nationality here keeps the primitive and simple folk customs.Miao embroidery is one of the ancient folk traditional handicrafts of the Miao nationality,bearing in mind the characteristics of many ancient cultures and primitive arts,and is the crystallization of the wisdom of Miao women for thousands of years.In recent years,due to the lag of industrial production and cultural fault,Miao embroidery has gradually faded out of people’s vision.In order to let everyone have a deep and systematic understanding of Guizhou Miao embroidery culture,through the excavation and combing of Guizhou Miao embroidery culture,explore the design methods of Miao embroidery in cultural and creative products,so as to spread the huge cultural value,profound cultural heritage and rich and colorful national characteristics of Miao embroidery,make the Miao embroidery culture "live" inheritance and provide new thinking for its development path.
分 类 号:TB472[一般工业技术—工业设计]
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