罪恶的“红色”:阿特伍德《红衬衫》中的童话改写  

The Sinful"Red":The Rewriting of Fairy Tales in Margaret Atwood's A Red Shirt

作　　者：黄钰霖 张晓红[1] HUANG Yu-lin;ZHANG Xiao-hong(School of Foreign Languages,Shenzhen University,Shenzhen 518060,China)

机构地区：[1]深圳大学外国语学院,广东深圳518060

出　　处：《太原学院学报（社会科学版）》2022年第1期100-106,共7页Journal of Taiyuan University(Social Science Edition)

摘　　要：在玛格丽特·阿特伍德作品的互文性研究中,童话一直都是备受关注的主题。这方面的研究多集中于对小说的分析上,诗歌中的童话改写目前却仍是一个被忽视的主题。研究从女性主义立场出发,考察阿特伍德的组诗《红衬衫》与经典童话之间的互文,尤其论证了“红色”意象在凸显主题上发挥的作用。通过不断地重写和颠覆这些故事,阿特伍德不仅成功地塑造了自己独特的诗性声音,还试图向父权文化影响下建构起的女性气质提出质疑与挑战,主张对“天使/恶魔”这一对女性的刻板印象进行超越和颠覆,倡导女性气质的多样性和复杂性。Fairy tales lie at the core in the study of intertextuality in Margaret Atwood's works.While much of the research has focused on analyzing her fictions,the rewriting of fairy tales in her poetry remains overlooked.There exists a strong sense of intertextuality in Atwood's A Red Shirt with classic fairy tales.More importantly,the"red"image plays an important role in highlighting the theme.By continually rewriting and subverting these stories,Atwood has not only succeeded in creating her own unique poetic voice,but also has sought to problematize and challenge femininity constructed by patriarchal culture to advocate the transcendence and subversion of the"angel/demon"stereotype and to promote diversity and complexity of feminine femininity.

关 键 词：玛格丽特·阿特伍德 《红衬衫》 童话改写 女性气质 颜色意象 

分 类 号：I711.074[文学—其他各国文学]