论唐代题山水画诗对山水画的艺术表现  

On Artistic Expression of Poems Inscribed on Landscape Painting towards Landscape Painting

作　　者：何泽棠[1] HE Ze-tang(School of Humanities and Law,South China Agricultural University,Guangzhou Guangdong 510642,China)

机构地区：[1]华南农业大学人文与法学学院,广东广州510642

出　　处：《杭州电子科技大学学报（社会科学版）》2022年第1期73-78,共6页Journal of Hangzhou Dianzi University：Social Sciences

摘　　要：唐代的题山水画诗从技、法、境、道、论五个角度对山水画进行了全方位的表现。这些内容丰富的题山水画诗,不仅将诗与画艺术地结合起来,成为一种独特的艺术载体,给读者带来全新的审美感受,也为后代的题山水画诗的进一步发展打下了坚实的基础,并为后人研究提供了重要资料。The poems inscribed on the landscape painting in Tang Dynasty make all-around expressions from the following five parts:the technique,the standard,the location,the method and the theory.Those poems inscribed on the landscape painting with rich content not only combine the poems and paintings artistically,which becomes an unique artistic medium,and brings a brand new aesthetic feeling to the readers,but also lays a solid foundation for the further development of the poems inscribed on the landscape painting and it can offer some important information to the later generations in this study field.

关 键 词：唐代 题山水画诗 山水画 

分 类 号：I207.2[文学—中国文学]