作为策略的“反抒情”——论于坚诗歌中的抒情性及其反思  

“Anti-Lyricism” as a Strategy——On the Lyricism in Yu Jian’s Poems and Its Reflection

作　　者：孟城境 MENG Cheng-jing(College of Humanities,Huaqiao University,Quanzhou 362021,China)

机构地区：[1]华侨大学文学院,福建泉州362021

出　　处：《昭通学院学报》2021年第6期44-49,共6页Journal of Zhaotong University

摘　　要：于坚的诗歌时常被认为具有后现代"拒绝深度模式"的性质,在语言游戏的背后,诗歌呈现出"零度抒情",甚至反抒情的特征。然而细致分析文本会发现,于坚的口语化诗歌具有"原乡"之情与日常生活抒情化两种向度。他的短诗和一部分长诗,正是通过抒情这一维度,超越了日常琐碎,获得了诗歌意义上的精神向度与价值立场。于坚的诗歌理念与他的作品之间也存在着偏差,这与诗人不断更新的生命体验有关。Yu Jian’s poems are often considered to have the nature of postmodern "refusal of depth mode". Behind the language game,poems show the characteristics of "zero degree lyricism" and even anti lyricism. However, a careful analysis of the text will find that Yu Jian’s colloquial poetry is lyrical. Compared with the contemporary poets, he also has a distinct degree of identification, which is different from Han Dong’s acceptance of image lyricism and the pursuit of modern epic of "holism" poets. His short poems and some long poems, through the dimension of lyricism, transcend daily trivialities and obtain a spiritual dimension and value standpoint in a certain sense. There is also a deviation between Yu Jian’s poetic ideas and his works, which is related to the poet’s constantly updated life experience.

关 键 词：于坚 诗歌 抒情 抒情方式 维度 

分 类 号：I207.25[文学—中国文学]