颂体的风格及其表现  

The Style and Performance of Song(颂) Style

作　　者：杨化坤 YANG Hua-kun(College of Liberal Arts,Anhui University of Finance&Economics,Bengbu 233030,China)

机构地区：[1]安徽财经大学文学院,安徽蚌埠233030

出　　处：《聊城大学学报（社会科学版）》2022年第1期61-68,共8页Journal of Liaocheng University:Social Science Edition

基　　金：国家社科基金后期资助项目(19FZWB074):颂体文学的多维观照。

摘　　要：颂是源于《诗经》"三颂"的一种文体,自汉代开始独立,并呈现出多种风格特点。写作过程中,颂体大量引用、化用儒家经典的内容或典故,表现为"典雅"的风格。文辞上,颂体讲究清新雅洁,用意蕴美好的词语描述颂扬对象,形成"清铄"的风格。篇章方面,颂体不像赋体那样铺排,又不像赞体那样局促,而是从容舒缓,讲求文气的畅通,呈现出"雍容""弘肆"的特点。Song is a style derived from "Poetry·Song".It has been independent since the Han Dynasty,and has shown a variety of styles.In the process of writing,the ode style uses a large number of Confucian classics content or allusions,showing an "elegant" style.In the literary,the eulogy style emphasizes freshness and elegance,and uses words with beautiful meaning to describe the object of eulogization,forming a "clean and clear" style.In terms of the text,the Song style is not laid out like the Fu(赋) style,nor is it as cramped as the Zan(赞) style,it is calm and soothing,stressing the smoothness of the style,and presents the characteristics of "brightness" and "hongsi(弘肆)".

关 键 词：颂 典雅 清铄 雍容 弘肆 

分 类 号：I206.2[文学—中国文学]