解构主义与当代艺术首饰  

Deconstruction and Contemporary Art Jewelry

作　　者：王钰涵 WANG Yuhan(School of Gemmology,China University of Geosciences(Beijing),Beijing 100083)

机构地区：[1]中国地质大学(北京)珠宝学院,北京100083

出　　处：《中国宝玉石》2022年第1期37-42,50,共7页China Gems & Jades

摘　　要：解构主义(Deconstruction)由雅克·德里达在20世纪60年代提出,它是由符号学分析而诞生的哲学思想。当代艺术理论中,借用哲学和符号学的思想和研究方法,可以指导设计思维。在当代首饰的设计创作中,艺术家使用解构主义的思想来进行设计构思,起于但不限于绘画、产品设计等诸多行业。解构主义思想使得当代艺术首饰具有符号象征以及交互意义,尤其是在行为表达、关系美学层面尤为突出。同时,艺术哲学思想对首饰设计思维的渗透作用,越来越多地影响了设计师的设计理念。Deconstruction was proposed by Jacques Derrida in the 1960 s.It is a philosophical thought born from semiotic analysis.In contemporary art theories,the ideas and research methods borrowed from philosophy and semiotics can guide design intellection.In the creation of contemporary jewelry,artists use the idea of deconstruction for design creation,starting from but not limited to painting,product design and many other industries.Deconstruction thought makes contemporary jewelry with symbolic and interactive meanings,especially in behavioral expression and relational aesthetics.At the same time,the infiltration of artistic philosophy on jewelry design intellection has increasingly affected the design concept of designers.

关 键 词：解构主义 艺术哲学 艺术首饰 

分 类 号：J506[艺术—艺术设计]