“赏”的意蕴转向与六朝文风新变——兼谈刘勰“正奇”文学观  

Transformation of the Meanings of“Shang”and Writing Styles in the Six Dynasties and Liu Xie’s Literary Views

作　　者：隋雪纯 SUI Xuechun(Department of Chinese Language and Literature, Peking University, Beijing 100871, China)

机构地区：[1]北京大学中国语言文学系,北京100871

出　　处：《中北大学学报（社会科学版）》2022年第2期43-50,共8页Journal of North University of China：Social Science Edition

摘　　要：刘勰《文心雕龙·指瑕》“始有赏际奇至之言”显示出“赏”字在东晋以降的变化。“赏”从军政范畴的“锡赉”向美学意义“欣赏”的意义转型,兴于晋末,在六朝得以完成。“赏”的内蕴变迁与六朝文风转向具有内在关涉,反映出六朝诗文两种体裁均注重个人经验、情感体验的丰实和五言诗的兴起发展,内容方面注重即景灵思、观物兴感等新变,就本质而言是属文联章“情”化,以及审美意识及景物观照趋于自觉、词汇丰赡和修辞技巧发展的表现,刘勰对“赏”务遵字训的规制及与“情讹、文浇”文风的冲突,体现出其“执正驭奇”的理想和六朝文风新变之际辞情义理、承古与启新的互动消长。Liu Xie’s The Literary Mind and the Carving of Dragons shows that the meanings of“Shang”has changed since the Eastern Jin Dynasty.The transformation of the meanings of“Shang”from award to appreciation started in the end of the Jin Dynasty and ended in the Six Dynasties.This transformation was influenced by the change of writing styles in the Six Dynasties.The poems and essays of the Six Dynasties focus on personal experiences and feelings and the development of five-character poems.The change of writing styles is essentially a result of the development of aesthetic awareness,vocabulary enrichment and rhetoric skills.Liu Xie’s literary views reflect his ideas of“pursuing righteousness and controlling strangeness”and the development of writing styles in the Six Dynasties.

关 键 词：“赏” 《文心雕龙》 《指瑕》 六朝文论 刘勰 

分 类 号：I206.2[文学—中国文学]