中国古代散文“文学性”问题的反思与突围  

Reflection and Breakthrough on Literariness of Ancient Articles

作　　者：宁俊红[1] NING Junhong(College of Literature,Lanzhou University,Lanzhou,Gansu 730020)

机构地区：[1]兰州大学文学院,甘肃兰州730020

出　　处：《中国文学研究》2022年第1期42-49,共8页Research of Chinese Literature

基　　金：国家社会科学基金重大项目“两岸现代中国散文学史料整理研究暨数据库建设”(18ZDA264)。

摘　　要：探讨古代散文"文学性"的根本目的是为古代散文研究探索更切实的途径、方法。"文学性"主要关注文学作品以语言运用为基础所形成的审美特征,古代散文的写作并非纯粹的文学创作,必然有相当数量的作品没有明显的审美特征,从而无法被关注和深入研究。回归古人的创作与理论实际,古代散文之"文"的特征在于讲求修辞。讲求修辞是写作中作家精神、情感等外化为作品的中间环节,是一个动态过程,包括修辞理念的确立、修辞手段的安排等重要步骤。"讲求"的主体是作者,讲求修辞强调作者在散文写作中的主体能动性,散文美的核心就在于主体通过讲求修辞展示出"我"。讲求修辞,作为古代散文"文学性"特征不仅合法,且具有方法论价值。The purpose of studying the literariness of ancient articles is to explore more practical research ways and methods.Based on the investigation of ancient writing and theory,the literariness of ancient articles is embodied inrhetorical considerations,which include two levels of content,the establishment of rhetorical idea and the arrangement of rhetoric. The subject of consideration is the author,and rhetorical consideration srequire the author’s initiative in article writing. Ultimately,the work shave aesthetic value,because they present a self-portrait of the author by rhetorical consideration.As the characteristics of literariness,rhetorical considerationsare reasonable and is of methodological value.

关 键 词：古代散文 “文学性” 讲求修辞 

分 类 号：I206.3[文学—中国文学]