杜甫与“小说”——《前殿中侍御史柳公紫微仙阁画太一天尊图文》文体性质考论  

Du Fu and the Fiction——An Examination on Genre of“The Description of The Painting of the Heavenly Dignity of Taiyi in the Ziwei Immortal Pavilionby Liu Gong,the Former Imperial Official in the Palace”

作　　者：吴怀东[1] WU Huai-dong

机构地区：[1]安徽大学文学院,230039

出　　处：《杜甫研究学刊》2022年第1期17-34,共18页Journal of Du fu Studies

摘　　要：《前殿中侍御史柳公紫微仙阁画太一天尊图文》是一篇独特的题画文,风格“古怪”,学术界对其思想内容与文体特点还存在很大争论。此文具有真实的现实社会基础,反映了天宝时期道教兴盛的社会状况与时代特点。就文体性质而言,此文采用了俗赋的手法,类似于“辅教”之小说。这篇“古奥”之文反映了杜甫对道教有相当的了解和一定的兴趣,但其应酬性与虚构性亦表明杜甫并非纯正的道教信仰者,反映出杜甫虚构性文学创作的才能。这种独特的文体试验显示民间文学、宗教文化对杜甫的深刻影响,可惜唐宋转折和相关文化、文学背景的丧失使得后代读者看不到这种影响,并导致对此文思想倾向与文体性质的误解。The text“The Description of The Painting of the Heavenly Dignity of Taiyi in the Ziwei Immortal Pavilion by Liu Gong,the Former Imperial Official in the Palace”is a unique text with an“eccentric”style,and its ideological content and stylistic characteristics are still highly debated in academic circles.That text has a realistic social foundation and reflects the social conditions and characteristics of the times when Taoism flourished during the Tianbao period of the Tang Dynasty.In terms of its genre,it adopts the technique of a popular fu,similar to supplement novel religion teaching.This“ancient”text reflects Du Fu’s considerable knowledge of and interest in Taoism and his talent for fictional literary creation,but its social and fictional nature also suggests that Du Fu was not a pure believer in Taoism.This unique stylistic trial reveals profound influence of folklore and religious culture on Du Fu,but unfortunate loss of cultural and literary contexts at the turn of the Tang and Song dynasties made this influence invisible to future readers and led to misunderstandings about the ideological orientation and genre of the text.

关 键 词：《前殿中侍御史柳公紫微仙阁画太一天尊图文》 道教 俗赋 小说 文体 

分 类 号：I206.2[文学—中国文学]