感觉的寓言——石舒清《清水里的刀子》叙事分析  

Allegory of the Senses——Narrative Analysis of Knives In the Clear Water

作　　者：王艺涵[1] WANG Yihan(School of Journalism and Communication, Henan University, Kaifeng, Henan 475001, China)

机构地区：[1]河南大学新闻与传播学院,河南开封475001

出　　处：《中州大学学报》2022年第1期8-12,共5页Journal of Zhongzhou University

基　　金：河南省哲学社会科学规划项目“人类学视野下的当代少数民族文学与影像研究”(2020BWX006)。

摘　　要：在文学或影视作品中,作家、艺术家既关注着族群与文化表征,也关注着那些生活境遇中的个人面孔。石舒清的小说《清水里的刀子》及同名影片就是这方面的一个范例。它讲述了一个与祭祀仪式有关的故事,也是一部“感觉的寓言”,一部关于个人丰富的内心感受如何超越了外在信仰和文化符号、具有普遍伦理意义的“感觉的寓言”。In literature and film or television works,writers and artists focus on personal faces in life situations as well as on ethnic and cultural representation.Shi Shuqing’s novel Knife in the Clean Water and its namesake film are examples of this aspect.It tells a story related to sacrificial rites,which is an“allegory of the senses”and an allegory of how the rich inner feelings of an individual transcends all external beliefs and cultural symbols,and has universal ethical significance.

关 键 词：石舒清 《清水里的刀子》 民族志 

分 类 号：I206[文学—中国文学]