入场与在场——展览机制动因下的青年水墨创作  

Entry and Presence:The Ink and Wash Creation of Young Artists under the Existing Exhibition Mechanism

作　　者：夏梓 Xia Zi

机构地区：[1]湖北美术馆策划部

出　　处：《美术》2022年第2期16-20,25,共6页Art Magazine

摘　　要：展览是梳理与研究中国画发展及其变革之路的重要途径,展览也是发表与展示青年水墨创作的重要平台。本文根据当下不同的展览形态及方式,对青年艺术家的“入场与在场”进行具象观察与分析,针对现有展览机制下青年水墨创作所呈现出的现象与问题展开讨论。展览对青年水墨创作的积极作用是不容忽视的,青年艺术家唯有入场才能进入一个观看与被观看的开放式空间,并由此获得调适与校准的机会,这也是其在未来能持续在场的重要前提。The exhibition,a vital means of sorting out and studying the development of Chinese painting and its transformation,also serves as an important platform for displaying the works of young creators.According to the different exhibition forms and methods nowadays,this paper conducts a concrete observation and analysis of the"entry and presence"of young artists,and discusses the phenomena and problems of their ink and wash creation under the existing exhibition mechanism.The positive effect of the exhibition on young artists’ink painting cannot be ignored.Only by entering the venue can young artists obtain an open space for viewing and being viewed,and thus obtain opportunities for adjustment and calibration,which also lays an important foundation for their continual presence in the future.

关 键 词：展览机制 青年水墨创作 调适与校准 

分 类 号：J209[艺术—美术]