温韦词女性形象的异同及形成原因探析  

On the Similarities and Differences between Female Images in Wen and Wei’s Ci Poetry

作　　者：黄静[1] HUANG Jing(School of Chinese Language and Literature, Yancheng Teachers University, Yancheng, Jiangsu, 224002, China)

机构地区：[1]盐城师范学院文学院,江苏盐城224002

出　　处：《盐城师范学院学报（人文社会科学版）》2022年第2期71-78,共8页Journal of Yancheng Teachers University（Humanities & Social Sciences Edition)

摘　　要：温韦词都以描写女性为主,但女性形象及表现手法却同中有异。一方面,在女性形象塑造上,两人都刻画了身处闺阁的贵族女性,且都展现女性外在之美与内在之愁,但较之温词,韦词中女性身份更为多样化,且对女性形象的塑造更为鲜明;另一方面,在女性形象表现手法上,温词重藻饰而韦词更清丽,温词重含蓄而韦词更直白,温词重静态描绘而韦词动态性更强。温韦词中女性形象之异同,与两人所处的时代差异、不同的人生经历以及对传统“美人”意象的继承等都有密切关系。Wen Tingyu and Wei Zhuang were poets of the Tang Dynasty,who were both famous for their vivid descriptions of women.On the one hand,in terms of the female images,they both portrayed noble women in seclusion,with their external beauty and hidden bitterness.However,Wei was different from Wen,which was reflected in the diversified female identity and distinct images;on the other hand,in terms of expression style,Wei also differed from Wen,which was embodied in his simple,straightforward,and dynamic depictions.The similarities and differences between female images in their Ci poems were closely related to their historical backgrounds,life experiences and the inheritance of the traditional“beauty”image.

关 键 词：温庭筠 韦庄 女性形象 表现手法 “美人”意象 

分 类 号：I207.23[文学—中国文学]