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作 者:妥泽民 袁桂 TUO Ze-min;YUAN Gui(School of Literature and Journalism,North Minzu University,Yinchuan 750021,China)
机构地区:[1]北方民族大学文学与新闻传播学院,银川750021
出 处:《白城师范学院学报》2021年第6期33-37,共5页Journal of Baicheng Normal University
基 金:北方民族大学研究生创新项目“北宋雅俗观念演进与诗文革新运动关系研究”(YCX21028)。
摘 要:自北宋以来,文学的现实性、义理性、散文化主导着宋诗的发展,宋诗在艺术上也以"平淡美"为核心审美理想,随着理学思想的推进,平淡美的审美理想也成为南宋诗人恪守的一种审美风范。陆游作为南宋中兴时的诗人,他一方面吸收了前人平淡清远的文学思想,另一方面,也将慷慨沉郁的爱国激情融入其中,更加丰富了"平淡美"的审美内涵,其诗也呈现出不同于前人的艺术倾向和思想倾向。Since the Northern Song Dynasty,the reality,rationality and prose culture have dominated the development of Song poetry. Song poetry also takes“plain beauty”as the core aesthetic ideal in art. With the advancement of Neo-Confucianism,the aesthetic ideal of plain beauty has also become an aesthetic style abided by poets in the Southern Song Dynasty. Lu You,as a poet in the prime period of the South Song Dynasty,on the one hand absorbed the plain and pure literary thoughts of predecessors,on the other hand,he also incorporated generous and melancholy patriotic passion into his poems,which enriched the aesthetic connotation of“plain beauty”and showed artistic tendencies and ideological tendencies different from predecessors.
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