图尼埃神话小说中的生态思维——以《礼拜五:太平洋上的灵薄狱》为例  

Ecologism in Michel Tournier’s Mythological Novels:Taking Vendredi ou les limbes du Pacifique as an Example

作　　者：王秀慧 Wang Xiuhui(Faculty of French and Francophone Studies,Beijing Foreign Studies University,Beijing,China)

机构地区：[1]北京外国语大学法语语言文化学院,北京100089

出　　处：《外国文学》2022年第1期172-182,共11页Foreign Literature

摘　　要：生态环境是图尼埃最重要的写作主题之一,小说中人物与自然的频繁互动使其作品成为生态批评的理想对象。其首部小说《礼拜五:太平洋上的灵薄狱》消解了笛福笔下鲁滨逊神话的人类中心主义幻觉,鲁滨逊拒绝回归西方文明世界,选择与荒岛合而为一,体现了法国哲学家米歇尔·塞尔提出的人与自然共生共存的自然契约精神;鲁滨逊在礼拜五的引领下,蜕变为与宇宙同化的自然元素,消解了以精神/物质二元论为前提的文化/自然二元对立传统,浸透着塞尔式的唯物主义生态哲学。生态写作不只是描述或解释自然,它亦是我们和自然之间互动的一部分,打破了我们与地球过于有限的关系。再现世界的过程,变成了不断重塑人与自然互动的过程。Ecology is one of Tournier’s most important themes. The frequent interactions between characters and nature make his work an ideal object for ecocritical analysis. His first novel Vendredi ou les limbes du Pacifique dissolves the anthropocentric illusion of Defoe’s Robinson myth. Tournierian Robinson’s refusal to return to the Western world in favor of becoming one with the island embodies the natural contract proposed by Michel Serres for the symbiosis between humans and nature. Robinson’s metamorphosis into natural element assimilated with the universe under the guide of Friday dissolves the culture/nature binary opposition premised on the spirit/matter dualism, which is imbued with Serresian materialist ecological philosophy. Nature writing is more than describing or explaining nature;it is the interaction between humans and nature aiming to disrupt our limited relationship with the Earth. The process of representing the world becomes a process of reshaping the interaction between humans and nature.

关 键 词：法国生态批评 图尼埃 塞尔 神话 

分 类 号：I565[文学—其他各国文学]