山东地方戏中武松戏的语言艺术  

The Language Art in Plays about Wu Song in Shandong Local Operas

作　　者：高日晖[1] 范玉杰 GAO Ri-hui;FAN Yu-jie(School of Liberal Arts,Dalian University,Dalian Liaoning 1166222,China)

机构地区：[1]大连大学文学院,辽宁大连1166222

出　　处：《菏泽学院学报》2022年第1期134-138,共5页Journal of Heze University

摘　　要：山东地方戏种类繁多,很多剧种中都有武松戏。武松戏在语言运用上既体现出地方戏的共同特点,同时也有独到之处。武松戏中夸张修辞格运用最为频繁,这一修辞手法对武松形象的烘托效果非常显著;山东方言哩语的插入使得武松戏具有较浓厚的生活气息,避免了英雄人物的僵硬化倾向;武松戏中插科打诨也很常见,且多运用飞白修辞手法,符合观众的审美心理。There are many plays about Wu Song in kinds of local operas in Shandong.The use language in plays about Wu Song not only reflects the common characteristics of local operas,but also has its own uniqueness.Exaggerated rhetoric is used most frequently in the plays,which has a significant effect on the image of Wu Song.The insertion of dialects and slangs in Shandong make the operas a strong flavor of life and have avoided the rigid tendency of heroes.Comic gestures and remarks are also very common in plays of Wu Song using flying-white rhetoric,which is in line with the audience’s aesthetic psychology.

关 键 词：山东地方戏 武松戏 语言艺术 

分 类 号：I207.412[文学—中国文学]