制造新声育新人——经典革命歌曲与“新中国”听觉共同体的起源  

Making New Voices to Create New People:Classic Revolutionary Songs and the Origin of the Aural Community of“New China”

作　　者：李盛 Li Sheng

机构地区：[1]南京师范大学文学院

出　　处：《文化研究》2021年第3期111-124,共14页Cultural Studies

摘　　要：在声音、音乐与共同体意识关联的研究中,以是否承认“主体/听觉”第一性为标准可作一界分:以“声音”为对象的“声音共同体”和以“听觉”为对象的“听觉共同体”。“听觉”重视主体聆听与个体的特殊性,“共同体”则导向某种普遍性而超越了个体化聆听,二者的嫁接一方面凸显了声音的制造和听觉的形成与政治、社会、历史传统无法割裂的天然关联;另一方面把民族国家等共同体由“想象的”抽象空间转化成实在的日常生活,从而折射出共同体内部的“非共同性”。在上述概念框架下,以代国歌《义勇军进行曲》、颂歌《东方红》和广为传唱的群众歌曲《歌唱祖国》为代表的经典革命歌曲“发现”了一个名为“新中国”的听觉共同体。经由三首歌的历史演绎和时代变奏,“新中国”听觉共同体既相互指认,又彼此联系的三个面向:“独立的”“统一的”“新时代的”,呈现在我们面前。By acknowledging the priority of“subject/hearing”,the study of the relationship between sound,music and community consciousness can be divided into“sound community”and“aural community”,which the subject’s listening and the particularity of the individual,“community”is oriented towards some sort of universality that goes beyond individualized listening.The grafting of the two highlights the natural connection between the production of sound and the formation of hearing and political,social and historical traditions on the one hand,and the“non-commonality”within the community on the other.Thus,the concept of“aural community”transforms communities such as nation-states from“imaginary”abstract spaces into everyday life.With the help of this concept and by the historical evolution of The March of the Volunteers,The East is Red and Ode to the Motherland,this article explores the three aspects of the“New China”aural community that are mutually identified and awkward:independent,unified and new era.

关 键 词：听觉共同体 《义勇军进行曲》 《东方红》 《歌唱祖国》 

分 类 号：J609.2[艺术—音乐]