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作 者:程瑶[1] CHENG Yao
机构地区:[1]沈阳音乐学院
出 处:《吉林省教育学院学报》2022年第2期100-103,共4页Journal of Jilin Provincial Institute of Education
摘 要:现代音乐美学研究在构建全新的美学体系的过程中,对音乐表演艺术及形式给予了大量的关注,强调了现代音乐表演是"创造性"与"再现性"的艺术,它参与音乐艺术的意义生成,能够丰富和填补音乐的内涵,赋予作品全新的生命。因此表演者必须拥有较高的现代视界和历史视界,通过体验和理解音乐作品的艺术内涵和历史意义,将现代人的艺术感受、审美体验融入音乐表演过程中,使音乐作品焕发出全新的生机与光彩。然而要想充分地探究音乐美学研究对现代音乐表演艺术所带来的启示,我们需要明确音乐美学研究与音乐表演艺术发展的关系,阐释音乐美学对音乐表演问题的探索,从而确定音乐美学所带来的启示,推动我国音乐艺术事业的健康发展。In the process of building a new aesthetic system, modern music aesthetics research pays a lot of attention to the art and form of music performance, and emphasizes that modern music performance is an art of "creativity" and "reproducibility". It participates in the meaning generation of music art, can enrich and fill the connotation of music and give new life to works. Therefore, performers must have a higher current and historical horizon, and integrate modern people’s artistic feeling and aesthetic experience into the process of music performance by experiencing and understanding the artistic connotation and historical significance of music works, so as to make music works glow with new vitality and brilliance. However, in order to fully explore the Enlightenment of music aesthetics research on modern music performing art, we need to clarify the relationship between music aesthetics research and the development of music performing art, explain the exploration of music aesthetics on music performance, so as to determine the enlightenment brought by music aesthetics and promote the healthy development of music art in China.
分 类 号:G642.3[文化科学—高等教育学]
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