公众对景观设计符号的语义感知——以上海杨浦滨江和后滩公园为例  

Public’s Semantic Perception of Landscape Design Symbols: A Case Study of Shanghai Yangpu Waterfront Public Space and Houtan Park

作　　者：王健涵 章晴 沈洁[1] Wang Jianhan;Zhang Qing;Shen Jie(College of Architecture and Lrban Planning,Tongji Lniversity,Shanghai 200092,China)

机构地区：[1]同济大学建筑与城市规划学院,上海200092

出　　处：《中国城市林业》2022年第1期96-101,共6页Journal of Chinese Urban Forestry

摘　　要：符号表意作为一种文化现象贯穿于古今中外的风景园林设计实践。当前对景观符号的研究常采用语言学研究范式,多停留于范式总结的理论层面。文章基于对皮尔斯符号学思想的研究,通过探究景观语义传达机制,提取感知中介这一景观符号语义传达的关键概念,厘清其可能的3种作用方式,揭示影响设计者与读者间语义传达一致性的内在动因,并选取上海杨浦滨江及后滩公园的经典景观符号进行实证演绎,为景观符号学研究提供方法论的有益探索。As a cultural phenomenon, symbolic ideograph runs through the landscape design activities at all times and in all countries. At present, the research on landscape symbols often adopts the linguistic research paradigm, and mostly stays at the theoretical level of paradigm summary. Based on the study of Pierce’s Semiotics, this paper explores the mechanism of landscape semantic communication, extracts the key concept of perceptual intermediary which is the semantic communication of landscape symbols, clarify its three possible modes of action, and reveals the internal motivation affecting the consistency of semantic communication between designers and readers. The classic landscape symbols of Shanghai Yangpu Waterfront Public Space and Houtan Park are selected for empirical interpretation, so as to provide a useful exploration on the methodology for the study of landscape semiotics.

关 键 词：景观符号 语义传达 感知中介 一致性 上海 

分 类 号：TU986[建筑科学—城市规划与设计]