跨媒介舞蹈中的“移置”操作与媒介竞争力问题  

“Displacement”and Media Competitiveness in Cross-media Dance

作　　者：温佐亮 WEN Zuoliang(College of Music,Changsha University,Changsha,Hunan 410022,China)

机构地区：[1]长沙学院音乐学院,湖南长沙410022

出　　处：《贵州大学学报（艺术版）》2022年第2期100-108,共9页Journal of Guizhou University Art Edition

基　　金：2020年国家社科基金项目“电影的再媒介化研究”(项目编号:20BXW032)。

摘　　要：对广义的当代艺术而言,艺术语言的自反性最主要地得益于跨媒介所达成的“移置”现象。常见的“舞蹈移置”,集中于对空间、运动、身体这三种要素的借用,也包含了与这三者密切相关的舞蹈观看方式的重新发现,由此而产生了舞蹈的图像化、跨媒介或再媒介化。在“创造陌生感”“服务大众传播”及“深度意义的生产”三个维度上,移置具有媒介优势。For contemporary art in a broad sense,the self-reflexivity of artistic language mainly benefits from the phenomenon of“displacement”achieved by cross-media.The common“dance displacement”focuses on the borrowing of three elements:space,movement and body which also includes the rediscovery in the ways of watching dance performance that are closely related to these three elements,resulting in the visualization,cross-media or remediation of dance.In these three dimensions of“creating defamiliarization”,“servicing as mass communication”and“generating deep meanings”,displacement has media competitiveness.

关 键 词：跨媒介 自反性 移置 媒介竞争力 

分 类 号：J704[艺术—舞蹈]