中华豫剧源流与其现代化的进程  

Origin and Modernization Process of Henan Opera

作　　者：张大新[1] ZHANG Daxin(Henan Opera Study Institute,Henan University,Kaifeng 475001,China)

机构地区：[1]河南大学河南地方戏研究所,河南开封450000

出　　处：《郑州航空工业管理学院学报（社会科学版）》2022年第1期13-22,共10页Journal of Zhengzhou University of Aeronautics(Social Science Edition)

摘　　要：豫剧作为中华戏剧家族中的重要成员,孕育在黄河文明的丰厚土壤中,其远祖可追溯到上古时期的“河南讴”。由初级戏剧蝉蜕而来的宋金杂剧,既是北杂剧和南戏的共同母体,也是豫剧的不祧之祖。清末民初,河南土梆戏回应时代风云,唱响“河南梆剧改革的第一声”。1930年代,河南大学优秀学子樊粹庭冲破重重阻力,以“重大担负者”自任,创立“豫声戏剧学社”,改建“豫声剧院”,对祥符调实施全方位的改造和重塑,引导豫剧戏弃旧图新,步入现代化进程,跃升为最具代表性和影响力的地方剧种。As an important part of Chinese opera,Henan opera rooted in rich Yellow River civilization,and could be traced back to‘Henan Ou’in Ancient times.Yuan and Song dynasty play,evolving from the initial forms of play,is the origin of both North Zaju and South opera,and Henan opera alike.In late Ming dynasty and early Republic of China,Henan Tubang Opera took the lead in reforming Henan Bang Opera.In 1930’s,Fan Cuiting,an excellent graduate of Henan University,took great trouble to set up Henan Opera Club and have Henan Opera Theater reconstructed.By fully remoulding Xiangfu Tune,Fan Cuiting guided Henan Opera to abandon the old for something new and finally ascend to one of the most representative and influential local operas.

关 键 词：中华豫剧 黄河文明 梆剧改革 樊粹庭 现代豫剧 

分 类 号：J813[艺术—戏剧戏曲]