“字正腔圆”的中国室内歌剧《凤仪亭》  

The Chinese Chamber Opera Feng Yi Ting

作　　者：付莉 Fu Li

机构地区：[1]中央音乐学院音乐学研究所 [2]沈阳音乐学院,沈阳110004

出　　处：《音乐文化研究》2022年第1期64-75,M0003,共13页Music Culture Studies

基　　金：国家社会科学基金艺术学重大项目“中国歌剧重大问题研究”子课题成果之一(项目编号:19ZD15)。

摘　　要：采用中国戏曲演员演唱的室内歌剧《凤仪亭》打破了传统歌剧的美声唱法,将“中国声音引入到歌剧世界之中”。全剧以“中西融合”为创作理念,人声强调中国韵味,器乐则在运用西方技法的同时亦展现出游移于传统与现代、中国与西方的特点。作曲家也通过帮腔、器乐编制、和音及旋律构成等多个方面证明了“中西融合”并非机械的组合,而是既要保留中西方各自的音乐特点,又要将二者有机结合,最终意在展露中国传统音乐在当代专业音乐中的无限发展潜力和极强的融合性。The chamber opera"Feng Yi Ting",which is sung in the Chinese opera way,breaks the traditional opera singing style and introduces the"Chinese voice into the world of opera".This opera combines the East and West with Chinese vocal music and Western instrumental music,which uses Western composition techniques with characteristics of tradition and modernity.The composer demonstrates that the East and Western styles are not mechanically combined through the accompanying voice,instrumentation,harmonies and melodic composition.By applying transitional techniques to various music elements,this opera has preserved and organically combined the musical characteristics of both Chinese and Western music,thus revealing the unlimited potential of Chinese music in the field of contemporary music.

关 键 词：《凤仪亭》 川剧与京剧唱腔 器乐编制 和音及旋律构成 中西融合 

分 类 号：J643.2[艺术—音乐]