庄亲王允禄及其在乾隆朝的音乐贡献  

Manchu Prince Yunlu and His Musical Contributions in the Qianlong Period

作　　者：吴艺楠 Wu Yinan

机构地区：[1]上海音乐学院,上海200031

出　　处：《音乐文化研究》2022年第1期118-125,M0005,共9页Music Culture Studies

基　　金：国家社会科学基金重大项目“中国音乐史学基本问题研究”(项目编号:18ZDA025);2020年上海音乐学院在读博士生科研课题资助项目“编年史视角下的乾隆朝音乐叙事”成果之一(课题编号:SHCD20130210)。

摘　　要：在中国古代社会音乐文明的建设中,历任帝王虽拥有绝对决策权,但仍需得各王大臣积极建言献策,并通过其安排统筹以落实各项事务。清代乾隆朝作为封建社会制度下音乐文明建设的最后高峰,其中就有一位不可或缺的亲王爱新觉罗·允禄在其中起到了尤为重要的作用。他不仅在更定清廷礼乐方面积极建言献策,而且还主持修订乐学专著,负责戏曲谱本的刊印出版等工作,贡献颇多。学界还未有对其音乐贡献进行过细致评述,基于此,笔者就这一问题进行探讨。In ancient Chinese society,although the emperors had absolute decision-making power,they still needed the active advice and counsel of their ministers,through whom they arranged and coordinated the implementation of various affairs.During the Qianlong reign of the Qing dynasty,the last peak of musical civilisation under the feudal system,one of the princes who played a particularly important role was Prince Aisin Gioro Yunlu.Not only did he actively contribute to the revision of the court rituals and music,but he was also responsible for the revision of musical monographs and the publication of opera scores.This article will discuss his musical contributions as these have not yet been reviewed in detail.

关 键 词：清代 乾隆朝 庄亲王允禄 音乐贡献 

分 类 号：J609.2[艺术—音乐]