密斯·凡·德罗设计理念与中国传统空间设计理念的比较研究--以巴塞罗那德国馆为例  

A Comparative Research of Mies Design Concept and Chinese Traditional Space Design Concept:Taking the German Pavilion in Barcelona as an Example

作　　者：马一诺 尹新 Ma Yinuo;Yin Xin

机构地区：[1]山东建筑大学建筑城规学院

出　　处：《华中建筑》2022年第3期19-22,共4页Huazhong Architecture

基　　金：山东省住房和城乡建设厅科技计划项目(编号:2020-R3-4,2021-K2-8),泉城产业领军人才支持计划项目(创新团队)项目(2020),济南市哲学社会科学课题(编号:JNSK21C29)。

摘　　要：密斯·凡·德罗作为当代建筑四巨匠之一,在自己的建筑设计生涯中总结出了许多设计理念,其中包括著名的“少就是多”建筑设计哲学,以及流动空间这一对建筑空间的重新诠释。其主张在20世纪得到广泛认可。在对密斯经典建筑进行分析时,发现其设计手法与中国传统建筑设计存在许多不谋而合之处。该文以巴赛罗那德国馆为例对密斯设计理念与中国传统空间设计理念比较研究,深入探讨二者异同,并为当下我国建筑设计融入传统古建筑设计手法提供参考。As one of the four great masters of contemporary architecture,Ludwig Mies van der Rohe summed up many design concepts in his architectural design career,including the famous architectural design philosophy of"less is more"and flowing space that is the reinterpretation of architectural space.His ideas were widely recognized in the 20th century.By analyzing the classic buildings of Mies,it is found that there are many coincidences between its design techniques and Chinese traditional architectural designs.Taking the German Pavilion in Barcelona as an example,we analyze Mies design concept and Chinese traditional space creation,then we probe into the similarities and differences between them with in-depth discussions,so as to provide reference for the integration of Chinese contemporary architectural design and Chinese traditional architectural design techniques.

关 键 词：密斯 中国传统古建筑 本质 传承 

分 类 号：TU-024[建筑科学—建筑理论]