从鲁迅的《狂人日记》到克里斯蒂安·陆帕的舞台呈现——兼谈中国话剧的现代性追求  

From LU Xun’s A Madman’s Diary to Krystian Lupa’s Staging:The Pursuit of Modernity in China Theatre

作　　者：彭涛[1] PENG Tao

机构地区：[1]中央戏剧学院戏剧文学系

出　　处：《戏剧艺术》2022年第1期12-22,F0003,共12页Theatre Arts

基　　金：国家社科基金艺术学项目“契诃夫戏剧与中国话剧的现代性追求”(21BB030);中央戏剧学院“中央高校建设世界一流大学(学科)和特色发展引导‘新时代中国戏剧评论重大问题研究’”(YLKY2005)的阶段性成果。

摘　　要：陆帕以心理现实主义的路径解析了《狂人日记》的内在结构,将演出进程转化为对鲁迅文本的"再阅读",剖析了"狂人"及其家族的"心灵史"。导演将鲁迅的小说当作一个具有普遍性价值的文本,以充满现代色彩的舞台语汇,挖掘了作品的当代价值,批判了现代家庭与威权制度对于个体生命的暴力戕害。陆帕导演的《狂人日记》为中国话剧的现代性追求提供了一种美学的方向和可能性。Lupa interpreted the intrinsic structure of A Madman’s Diary by means of psychological realism,turning the staging into a "re-reading " of the text,thus examining the psychological development of both the "madman " and his family. Taking the novel as a text of universal importance,Lupa explored its contemporary values with modernist stage presentation,and criticized the violent injury on individual life caused by modern family and the authority system. The stage play A Madman’s Diary directed by Lupa provides an aesthetic direction and possibility for the pursuit of modernity in China theatre.

关 键 词：狂人日记 克里斯蒂安·陆帕 中国话剧的现代性追求 

分 类 号：J80[艺术—戏剧戏曲]