历史剧发展中的边缘“身份-记忆”书写  

“Identity-Memory” of Minorities in Historical Plays

作　　者：孔繁尘 KONG Fanchen

机构地区：[1]上海戏剧学院研究生部

出　　处：《戏剧艺术》2022年第1期64-73,共10页Theatre Arts

摘　　要：历史剧阐释历史,其建构基于社会身份的群体认同。在不同的社会发展时期,历史剧的创作肩负着不同的群体作用。创作于前现代、现代和后现代三个社会时期的历史剧,对边缘"身份-记忆"作用经历了重述过去、建构当下和书写未来的三个阶段。历史剧的创作方式和社会形态一同发展,在不同的社会和历史时期建构起适应社会需要的历史视角。Historical plays interpret history and make group identification based on social identity.In different social periods,the creation of historical plays has taken on different social roles. In premodern,modern and post-modern times,historical plays have been through three stages in their role of’identity-memory’of the minorities: retelling the past,making the present and looking forward to the future. The creation mode of historical plays develops with social form,which results in their constructing various historical perspectives that meet the needs of society in different social and historical periods.

关 键 词：历史记忆 边缘身份 千忠戮 建构历史 汉密尔顿 

分 类 号：J80[艺术—戏剧戏曲]