熊佛西剧作农村叙事的发展衍变及其意义——以20世纪二三十年代戏剧创作为中心  

Development and Significance of Rural Narrative in XIONG Foxi’s Plays:The Theatre Creation of the 1920s and 1930s

作　　者：黄爱华[1] HUANG Aihua

机构地区：[1]杭州师范大学人文学院、文艺批评研究院

出　　处：《戏剧艺术》2022年第1期125-138,共14页Theatre Arts

基　　金：浙江省哲学社会科学重点研究基地“文艺批评研究院”资助项目。

摘　　要：熊佛西是中国话剧史上第一位有意识地为农民写剧的作家,其独具个性的农村叙事,生动形象地再现了20世纪二三十年代的乡土中国,丰富了近现代乡土中国的历史书写。佛西剧作的农村叙事,前期着重现实与寓言的双重书写,后期为直面现实的在地性写作。熊佛西农村叙事及发展衍变对左翼文艺大众化、戏剧大众化运动的推动和深化作用,应该从戏剧史研究的盲区走向前台,予以充分肯定;其探索和建构的多种农村叙事模式和风格,不仅在当时产生过重要影响,对于当下戏剧创作也具有一定的理论价值和启发借鉴意义。Xiong Foxi is the first writer who wrote plays for peasants in the history of Chinese modern theatre,in whose unique rural narrative the Chinese countryside in the 1920 s and 30 s was vividly reproduced,which enriches the historical writing of rural life in modern China. His rural narrative focuses on the writing of both real life and allegory in the early stage,and then on the writing of local reality in the later stage. Xiong’s rural narrative and its development have promoted and intensified the left-wing movement of literature and theatre popularization,which should be foregrounded from the research blind area of theatre history and given full recognition. The multiple modes and styles of the rural narrative he explored and formed not only had a great impact at his time,but also has a certain theoretical values and provides some inspiration for current theatre creation.

关 键 词：熊佛西 农村叙事 发展衍变 历史镜像 戏剧史意义 

分 类 号：J80[艺术—戏剧戏曲]