两个空间的交互:周邦彦羁旅词的情感内蕴  

The Interaction of Two Spaces:Zhou Bangyan’s Emotional Strategies of Journey Ci-poetry

作　　者：戴红贤[1] 杨晓白 Dai Hongxian;Yang Xiaobai(Wuhan University)

机构地区：[1]武汉大学文学院

出　　处：《写作》2022年第1期73-79,共7页Writing

摘　　要：周邦彦的羁旅词常常从所处地理空间的现实要素入手,融入自己的想象与回忆,形成了恋情空间与昔日生活空间。恋情空间主要抒发相思之苦,通过对面落笔烘托离情别恨。昔日生活空间的表现形式是由当下地理空间回忆起过去生活,从而寄托自己对故乡与汴京故人的思念。当现实情况与恋情或昔日空间发生冲突时,周邦彦未能找到积极的情感调节方式,而是以宇宙天地间匆匆过客的身份发出了宦游者的倦怠之叹,这种苦闷心态是大量平凡士子的真实写照。现实与恋情或昔日空间的交互使用营造出了周邦彦羁旅词中回环往复的空间结构,也将作品的情感演绎得沉郁深厚。Zhou Bangyan’s journey ci-poetry often starts from the realistic elements of the geographic space,and incorporates his own imagination and memories to form a a space for love and a space for life in the past.The love space expresses the pain of miss⁃ing,through writing from the opposite side to highlight the parting pain.The living space of the past is the current geographic space that leads to the past life,pinning his thoughts on his hometown and familiar faces in Bianjing.When there is conflict be⁃tween the real situation and the love space or the living space of the past,Zhou Bangyan failed to find a positive adjustment meth⁃od.Instead,as a traveler between the universe and the earth,he uttered the eunuch’s sigh of fatigue.This depressive mentality could be found in a large number of ordinary people.The interactive use of the real and love space or the living space of the past creates a space structure that reciprocates in Zhou Bangyan’s travel poems,and also interprets the emotion of the work in a som⁃ber and profound way.

关 键 词：周邦彦 羁旅词 地理空间 情感内蕴 

分 类 号：H315[语言文字—英语]