音乐创作中的隐喻思维  

A Study of Metaphorical Thinking in Music Creation

作　　者：洪梅[1] Hong Mei(Chengyi College University,Jimei University,Xiamen 361000,China)

机构地区：[1]集美大学诚毅学院,福建厦门361000

出　　处：《黑河学院学报》2021年第12期147-148,158,共3页Journal of Heihe University

基　　金：福建省教育厅中青年教师教育科研项目“音乐地理学视域下的闽南歌仔戏研究”(JAS180927)。

摘　　要：艺术被称为思维外壳的隐喻。纵观整个人类历史,最早的语言是音乐语言形式,也就是通过音乐表达出人类的隐喻。尤其是旧石器末期,人类出现了很多祭祀活动,这些活动都需要音乐烘托氛围,早期的人类就用音乐语言表达特殊的隐喻含义。音乐具有教化人和传递信息的作用,在很多情况下使用音乐语言更具隐喻效果。Art is known as the metaphor of thinking shell.Throughout the history of human beings,music language is the earliest form of language,that is,to express human metaphors through music.Especially at the end of the Paleolithic period,there were many sacrificial activities,in which music was needed to set off the atmosphere.Therefore,people begin to use music language to express special metaphorical meanings from the early time.Music has the function of educating people and transmitting information,so the use of music language in many cases has a more metaphorical effect.

关 键 词：音乐创作 隐喻思维 现代艺术 

分 类 号：J605[艺术—音乐]