清代平水韵研究的新局面--以元刊本《平水韵略》为中心  

The New Situation of the Research on Pingshui Rhyme in the Qing Dynasty--Centered on Summery of Pingshui Rhyme engraved in the Yuan Dynasty

作　　者：黄金灿 HUANG Jin-can(School of Literature,South China Normal University,Guangzhou Guangdong,511400)

机构地区：[1]华南师范大学文学院,广东广州511400

出　　处：《山西大同大学学报（社会科学版）》2022年第1期110-114,共5页Journal of Shanxi Datong University(Social Science Edition)

基　　金：中国博士后科学基金资助项目“历代韵书型类书研究”(2020M672665)。

摘　　要：清代学者对平水韵的认识具有明显的转变过程。清初学者基本沿袭前代观点,认为平水韵的初创者是刘渊。自元刊本王文郁《平水韵略》出,平水韵源流史又起波澜,清人遂多有一改前说而明确认为平水韵实乃创于王文郁者。继而又有学者质疑此说,王韵与刘韵之先后遂成为争论的焦点。The scholars of the Qing Dynasty have an obvious transformation process of understanding the birth of Pingshui Rhyme.In the early Qing Dynasty,scholars basically followed the previous generation's view,believing that the founder of Pingshui Rhyme was Liu Yuan.Since the appearance of Wang Wenyu's Summery of Pingshui Rhyme created in the Yuan Dynasty,the origin and circulation history of Pingshui rhyme has changed again.The Qing people denied the previous claims and definitely believed that Pingshui rhyme was actually created by Wang Wenyu.Afterwards,some scholars questioned this view,and the order of Rhyme created by Wang and Liu became the focus of debate.

关 键 词：平水韵 刘渊 王文郁 《平水韵略》 

分 类 号：H114.9[语言文字—汉语]