少数民族风格钢琴作品的民族特征及文化内涵研究  

On Ethnic Characteristics and Cultural Connotation of the Piano Works of Minority Styles

作　　者：林林[1] LIN Lin(Shenyang Conservatory of Music,Shenyang Liaoning,110000)

机构地区：[1]沈阳音乐学院音乐教育学院,辽宁沈阳110000

出　　处：《山西大同大学学报（社会科学版）》2022年第1期145-148,共4页Journal of Shanxi Datong University(Social Science Edition)

摘　　要：钢琴属于一种纯西方艺术形式,在走进中国之后,便开始以自身为载体,实现了中西方音乐文化的全面交融,此时,一些少数民族风格的钢琴作品应运而生。本文对少数民族钢琴作品独特的曲式创作手法进行分析,并从中国少数民族钢琴作品所特有的价值观念与审美意识,作品名称体现的民族哲学思想,作品内容表达的民俗文化等几个方面进行论述,探究民族艺术文化的根源,以促进中国钢琴艺术的繁荣与发展。The piano is one of pure Western art forms. After entering China, it began to realize the comprehensive blending of Chinese and Western music culture with itself as the carrier. At this time, some minority-style piano works came into being. The author analyzes the unique style of minority piano works, and explores the root of ethnic art and culture from several aspects: specific values and aesthetic consciousness of Chinese minority piano works, ethnic philosophy embodied in the name of the works, folk culture expressed in the content of the works to promote the prosperity and development of Chinese piano art!

关 键 词：少数民族 钢琴作品 民族特征 文化内涵 

分 类 号：J624[艺术—音乐]