浅析唐代三彩陶塑中的“鞍马”题材  

A Brief Analysis of the Theme of Pommel Horse in Tang Dynasty Tri-color Pottery

作　　者：张晴倬 Zhang Qingzhuo(Jingdezhen Ceramic Insititute,Jiangxi,JingDezhen,333403,China)

机构地区：[1]景德镇陶瓷大学,江西景德镇333403

出　　处：《陶瓷》2022年第2期59-60,113,共3页Ceramics

摘　　要：唐三彩将唐人自信、丰富的精神世界和时代氛围注入一个个“有血有肉”的三彩陶塑上,它见证了那个歌舞升平、夜不闭户的“黄金时代”。而众多唐墓中出土的三彩马,尤以骨骼健壮、肌肉隆起、腿长尾短、形神兼备的形象,或昂首嘶鸣、或勾首回盼、或低头沉思,显得唐韵十足。Tri-colored pottery of the Tang dynasty injected the confident and rich spiritual world and the atmosphere of The Times into the tri-colored pottery of flesh and blood, which witnessed the Golden Age of singing and dancing without closing the door at night. The tricolor horses unearthed in many tang tombs, especially with strong bones, muscles, long legs and short tail, are both in shape and spirit. Some horses neighed with their heads held high, or looked back with their heads bowed, or bowed their heads in meditation, showing the full charm of tang dynasty.

关 键 词：鞍马 陶瓷 三彩 

分 类 号：TQ174.74[化学工程—陶瓷工业]