《长夜》的写实、虚构与艺术加工问题探析  

Realism,Fiction and Artistic Processing in Long Night(长夜)

作　　者：王金龙[1,2] WANG Jinlong(School of Chinese Language and Literature & Institute of Cultural Industry, Nanyang Normal University, Nanyang Henan 473061, China)

机构地区：[1]南阳师范学院文学院,河南南阳473061 [2]南阳师范学院文化产业研究院,河南南阳473061

出　　处：《南都学坛（南阳师范学院人文社会科学学报）》2022年第2期42-47,共6页Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University

基　　金：国家社会科学基金重大招标项目“抗战大后方文学史料数据库建设研究”,项目编号:16ZDA191。

摘　　要：姚雪垠的自传体小说《长夜》,在写实、虚构和艺术加工方面有着复杂的存在形态,在主要情节设计、人物塑造、细节刻画方面有着高度的写实性,但仍存在少量明显的非亲历情节,整部小说的叙述又处处可见巧妙的艺术加工。评价这部小说的文学史地位,既要看到这部小说独特的题材以及“强人”形象的塑造,同时也应看到这部小说在艺术加工方面的成就。因为《长夜》和历史小说《李自成》在面临真实素材和处理素材上具有相似性,所以探析《长夜》的写实、虚构与艺术加工问题,既有助于进一步探析《长夜》的艺术成就,也有助于探析《李自成》的艺术成就。The autobiographical novel Long Night(长夜)written by Yao Xueyin displays complexity in its forms of literary creation in terms of realism,fiction and artistic processing.A high degree of realism can be observed in main plot design,characterization and depiction of details.However,there are still a small number of obvious non-personal plots or experiences embedded hereinto,and ingenious artistic processing can be seen everywhere in the narration of the whole novel.To evaluate the status of this novel in literary history,we should not only consider its unique thematic focus and its depiction of a“strong man”image,but also take into account its achievements in artistic processing.Because Long Night(长夜)and the historical novel Li Zicheng(李自成)share similarities in approaching real-life materials and processing materials,the analysis of issues concerning realism,fiction and artistic processing of Long Night(长夜)will not only help to further explore the artistic achievements of Long Night(长夜),but also help to explore the artistic achievements of Li Zicheng(李自成)as well.

关 键 词：《长夜》 写实 虚构 艺术加工 

分 类 号：I207.42[文学—中国文学]