视觉文化视域下《大唐中兴颂》石刻景观研究  

A Study on the Stone Carving Landscape of "Ode to the Rise of the Tang Dynasty" from the Perspective of Visual Culture

作　　者：李正庚[1] 龙婵婵 LI Zheng-geng;LONG Chan-chan(School of Design and Art,Changsha University of Science and Technology,Changsha,Hunan,410114)

机构地区：[1]长沙理工大学设计艺术学院,湖南长沙410114

出　　处：《湖南包装》2022年第1期118-120,151,共4页

基　　金：湖南省社科基金项目(编号:18YBA010)。

摘　　要：汉字作为一种视觉符号系统,本身具有图像性。当汉字作为视觉图像时,石刻文字书写媒介也就具有了视觉景观属性。中国书法以汉字为书写对象,书法“书像”所表达的意义超过了“字像”,具有了产生形象的能力。从视觉文化看,《大唐中兴颂》能成为一种文化景观,是《大唐中兴颂》文本、书法、石刻互动建构而成,石刻景观中书法“书像”营造了颜真卿人物形象,将《大唐中兴颂》石刻建构为唐宋以后文人雅士寄情怀古的文化景观空间。在当代,《大唐中兴颂》石刻景观呈现的颜真卿集体主义和爱国主义人物形象,在引发和建构当代观者文化与审美心理认同、凝聚赖以共享和寄托的民族语言和精神空间方面,仍有非常重要的现实意义。As a visual symbol system,Chinese characters are inherently pictorial.When Chinese characters are used as visual images,the writing medium of stone inscriptions also has the attribute of visual landscape.Chinese calligraphy takes Chinese characters as the writing object,and the meaning expressed by the "image of the calligraphy" in calligraphy exceeds the "image of the character" and has the ability to generate images.From the perspective of visual culture,"Ode to the Rise of the Tang Dynasty" can become a cultural landscape.It is constructed through the interaction of the text,calligraphy and stone carvings of "Ode to the Rise of the Tang Dynasty".The stone carving of "Ode to the rise of the Tang Dynasty" was constructed as a cultural landscape space for scholars and scholars after the Tang and Song dynasties to express their feelings for the ancients.In contemporary times,the collectivist and patriotic figures of Yan Zhenqing presented in the stone carving landscape of " Ode to the Rise of the Tang Dynasty" have important effects on triggering and constructing the cultural and aesthetic psychological identity of contemporary viewers,and condensing a national language and spiritual space on which to share and sustenance,There are still very important practical significance.

关 键 词：视觉文化 大唐中兴颂 石刻 景观 

分 类 号：J292.1[艺术—美术]