论孙犁作品中的逆向思维  

On the Reverse Thinking in Sun Li’s Works

作　　者：刘佳慧[1] LIU Jia-hui(Library,Tianjin Arts and Crafts Professional College,Tianjin 3000250,China)

机构地区：[1]天津工艺美术职业学院图书馆,天津300250

出　　处：《石家庄学院学报》2022年第2期23-29,共7页Journal of Shijiazhuang University

摘　　要：孙犁在创作中常常采用若即若离的表达形式:一部分作品是非常明显的趋时应景之作;另一部分又指向含混、反向书写,存在很多解读空间,与时代主潮错位。孙犁的反向书写是在其逆向思维的影响下,打破二元对立模式,设身处地理解描写对象,并依据现实环境对其进行合理升华与虚构的一种特殊的文字处理方式,他通过以“德”报怨、以苦为乐、似贬实褒、以小写大的手法完成了其逆向思维在创作中的个性化呈现。Sun Li often adopts the form of expression in his creation. Some of his works are very obvious contemporary works;the other part points to ambiguous and reverse writing. There is a lot of room for interpretation, which is misplaced with the main trend of the times. Sun Li’s reverse writing is a special kind of word processing that breaks the binary opposition mode, puts himself in the understanding of the description object, and rationally sublimates and fabricates it according to the real environment under the influence of his reverse thinking. He has completed the personalized presentation of his reverse thinking in his creation by using "morality" to complain, suffering for pleasure, seemingly derogatory, and using lowercase and uppercase methods.

关 键 词：逆向思维 反向书写 遮丑漏美 幽默 人性复苏 历史笔法 

分 类 号：I207.425[文学—中国文学]