多民族融合与唐诗繁荣的多元格局研究  

Multi-ethnic Fusion and the Pluralistic Pattern of Tang Poetry Prosperity

作　　者：马路路 潘百齐[1] MA Lu-lu;PAN Bai-qi(Department of Literature,Nanjing normal University,Nanjing,Jiangsu 210097,China)

机构地区：[1]南京师范大学文学院,江苏南京210097

出　　处：《贵州民族研究》2022年第1期115-120,共6页Guizhou Ethnic Studies

基　　金：国家社科基金西部项目“西北民族自治地方民族关系研究”(项目编号:16XMZ001);国家民委西北少数民族社会发展研究基地研究项目“和谐民族关系构建研究”(项目编号:XJ-201801)的阶段性成果。

摘　　要：多民族融合丰富了唐代文化的内容,拓展了唐诗的表现领域。唐诗中有关民族关系的诗歌是在唐代多民族交往、交流、交融中诞生、发展起来的文化硕果。唐代帝王诗彰显出的包容开放的民族意识和民族自信力,是中华文化并蓄兼容的民族特性。边塞诗呈现出的民族力量和昂扬奋进的盛唐气象,是中华文明数千年传承于世的精神范式。少数民族诗人诗歌展现出的民族认同感和与唐诗相近的风骨神韵,是中华民族和而不同民族精神的传统典范。The fusion of ethnic groups enriched the content of Tang culture and expanded the expressive field of Tang poetry. The poetry describing ethnic relations in Tang poetry are the cultural fruits born and developed during the Tang Dynasty in the midst of multi-ethnic interactions, exchanges and blends. Inclusive and open national consciousness and the national self-confidence power in the poetry of the Tang emperors are the national identity of Chinese culture, which is inclusive and compatible. The frontier poetry expresses the national power and progressive meteorology of the Tang Dynasty,which is the spiritual paradigm of Chinese civilization inherited for thousands of years. The sense of national identity and the charm of bones like the Tang poetry in the poetry works of minority poets are traditional example of the Chinese people’s national spirit of harmony and difference.

关 键 词：民族融合 唐诗 帝王诗 边塞诗 少数民族诗人 

分 类 号：C95-05[社会学—民族学]