博物馆场域中符号权力与公共性理念的张力——基于布迪厄文化再生产理论的考察  

The Tension Between Symbolic Power and the Idea of Publicity in the Museum Field:An Examination Based on Bourdieu’s Theory of Cultural Reproduction

作　　者：刘沙 LIU Sha(Hubei Provincial Museum,Wuhan,Hubei,430077)

机构地区：[1]湖北省博物馆,湖北武汉430077

出　　处：《东南文化》2022年第1期165-170,共6页Southeast Culture

摘　　要：博物馆具有多重属性,在某些层面上甚至体现出充分的张力。一方面,博物馆虽然对所有公众开放,但其知识生产与传播的各个环节渗透着符号权力,使具有较多文化资本的阶层能够保持其优势,维护了社会现有结构的稳定性;另一方面,博物馆也追求公共性理念,努力促进社会公平与民主,推动知识共享与多元参与。总体而言,博物馆在发展过程中朝着公共化的方向逐渐前进,逐步变得更加开放和包容。Museums have multiple attributes and at some levels even embody full tension.On the one hand,while open to all publics,museums are permeated with symbolic power in all phases of the process of knowledge production and dissemination,and enable the class with more cultural capital to maintain its advantages and preserve the stability of the existing structure of society.On the other hand,museums also pursue the concept of publicness,strive to promote social equity and democracy,and promote cultural equality and pluralistic participation.In general,museums have developed towards the direction of publicness gradually,and become more open and inclusive.

关 键 词：博物馆 文化再生产 符号权力 社会平等 皮埃尔·布迪厄 

分 类 号：G260[历史地理—考古学及博物馆学]