戏仿研究的学术史考察  

A Study of the Academic History on Parody Research

作　　者：龚芳敏[1] GONG Fangmin(School of Liberal Arts and Journalism,Jishou University,Jishou,Hunan 416000)

机构地区：[1]吉首大学文学与新闻传播学院,湖南吉首416000

出　　处：《陕西理工大学学报（社会科学版）》2022年第1期51-59,66,共10页Journal of Shaanxi University of Technology(Social Science)

基　　金：国家社会科学基金项目(19BZX036);湖南省社会科学基金项目(11YBB311)。

摘　　要：戏仿研究源远流长,以戏仿问题的逐层展开为导向,以重要的思想家、理论家、评论家、作家、学者的主要著述作为分析对象,坚持史论结合的原则,从戏仿的历史研究、戏仿的文本分析、戏仿的修辞学研究、戏仿的叙事学研究、戏仿的文体学研究、戏仿的文化精神研究等维度展开对戏仿研究的学术史分析与考察,由浅入深、由元素到体系、由碎片化到系统性地归纳和总结戏仿研究的历史成果和理论观念,有利于学界更为系统全面地把握戏仿研究的趋势和动向,以进一步推进戏仿问题研究的深入发展。Parody research has a long history.It is guided by the layer-by-layer expansion of parody problems,takes the main works of important thinkers,theorists,critics,writers and scholars as the analysis objects,adheres to the principle of combining history and theory,studies the history of parody.The analysis and investigation of the academic history of parody research are carried out through analyzing text,researching rhetoric,narratology,stylistics and cultural spirit of parody with the generalization of historical achievements and theoretical concepts from simple to senior,from detail to system and from fragmentation to system,which are conducive to a more systematic and comprehensive grasp to the trends and tendency in parody research so that a further promotion will be made in parody.

关 键 词：戏仿 学术史 文本分析 辞格 叙事手法 文体 文化精神 

分 类 号：I106[文学—世界文学]