第十七届威尼斯国际建筑双年展中国国家馆“院儿——从最大到最小”  

PAVILION OF PR CHINA——17TH INTERNATIONAL ARCHITECTURE EXHIBITION,LA BIENNALE DI VENEZIA YUAN-ER,A COURTYARD-OLOGY:FROM THE MEGA TO THE MICRO

作　　者：白雪 邓慧姝 玛尔塔·曼奇尼 叶扬 项琳斐 王子恒 米凯利·博尼诺 贺爱华 张显 俞紫悦 萨穆埃莱·佩莱吉亚(摄影) Bai Xue;Deng Huishu;Marta Mancini;Ye Yang;Xiang Linfei;Wang Ziheng;Michele Bonino;Edoardo Bruno;Zhang Xian;Yu Ziyue;Samuele Pellecchia(不详;Prospekt)

机构地区：[1]不详 [2]普洛斯佩克特公司

出　　处：《城市环境设计》2021年第3期230-243,共14页Urban Environment Design

摘　　要：第17届威尼斯建筑双年展中国馆展览主题方案为"院儿——从最大到最小",通过"院儿"这一传统的人居建筑形式,从气势磅礴的紫禁城到平凡日常的胡同邻里,联系起古今中外的建筑线索,探索人类共居的多种可能。院落是一种充满活力的共同生活原型,它跨越不同的地域文化和历史时代,长盛不衰。"院儿"还一直是中国所有传统城市肌理和社会结构的基本组成单元,遍布于从最大到最小的各种城市建筑案例中,从气势磅礴的紫禁城到平凡日常的胡同邻里。Biennale Architettura 2020 theme"how will we live together"asks how architecture may contribute to equality,connectivity and unity.It brings us to a familiar typology:Yuan-er.In Chinese,the word Yuan-er means a multi-family courtyard,referring to both its physicality and the people inhabiting it.It has been the basic molecule of all traditional urban and social fabrics in China,with cases ranging from the mega,like the Forbidden City,to the micro,like hutongs.Not only has it been the bearer of ideas of the past,it is also continuing to inspire architects and artists looking for hints of the future.

关 键 词：中国馆 传统城市肌理 人居建筑 基本组成单元 威尼斯建筑双年展 生活原型 展览主题 地域文化 

分 类 号：TU2[建筑科学—建筑设计及理论]