论《基督与反基督》三部曲中的“超人”主题  

On the Superman Theme of the Trilogy of Christ and Antichrist

作　　者：武晓霞[1] WU Xiao-xia

机构地区：[1]北京航空航天大学外国语学院,北京100191

出　　处：《解放军外国语学院学报》2022年第1期144-151,F0003,共9页Journal of PLA University of Foreign Languages

基　　金：国家社会科学基金项目“吉皮乌斯创作主题研究”(20FWWB009)。

摘　　要：19世纪末20世纪初尼采哲学在俄国广为流行,象征主义就是在尼采哲学与唯美主义理想的影响下崛起于俄国文坛的。梅列日科夫斯基作为俄国象征主义文学的重要代表作家之一,最先接受尼采的超人思想,并以超人为题进行创作,丰富了"超人"的内涵。本文将以比较文化哲学和文艺学分析方法为基础,研究《基督与反基督》三部曲对超人思想的解释方法,阐述超人现象的演变过程和语义来源,发掘超人思想在文化历史和精神建设方面的意义。In late nineteenth century and early twentieth century, Nietzsche’s philosophy was widely popular in Russia. TheSymbolism rose in Russian Literature accompanied by Nietzsche’s philosophy and aestheticism. As one of the largestrepresentatives of Russian symbolism, Merejkovski first accepted Nietzsche’s Superman ideas and created them underthe theme of Superman, thus broadening the meaning of Superman. Based on the analysis of comparative culturalpahnidl oAsonptihcyh raisntd literature and art, this article will study on the interpretation of Superman ideas in the trilogy ofChrist, explain the evolution process and semantic sources of Superman phenomena, and determine thesignificance of superhuman thought in cultural history and spiritual construction.

关 键 词：梅列日科夫斯基 基督与反基督 超人 象征主义 尼采 

分 类 号：I512.074[文学—其他各国文学]