网络诗歌对五四新诗的继承与变革  

The Inheritance and Transformation of Internet Poetry to the New Poetry of the May 4th Movement

作　　者：肖男 和伟 XIAO Nan;HE Wei(College of Arts,Minnan Normal University,Zhangzhou 363000,China;School of Foreign Languages,Zhengzhou Institute of Engineering and Technology,Zhengzhou 450045,China)

机构地区：[1]闽南师范大学文学院,福建漳州363000 [2]郑州工程技术学院外国语学院,河南郑州450045

出　　处：《三明学院学报》2022年第1期101-107,共7页Journal of Sanming University

基　　金：国家社会科学基金后期资助暨优秀博士论文项目(20FZWB034)。

摘　　要：我国自20世纪90年代网络这一传播媒介的出现,诗歌的传播方式发生了令人惊叹的改变。巨大的变革也为诗歌的发展带来众多问题。然而不难发现,网络诗歌里种种“妖魔化”的问题都能从百年前白话新诗的变革中找到相似的影子。因此,从语言形式、民间思想以及媒介变革三个角度来探寻诗歌百年来的发展轨迹,客观分析其中的传承与嬗变、突破与局限,将更清楚客观地看到网络诗歌的历史定位。事实上,恰恰是网络诗歌的出现为21世纪中国新诗的发展提供了新的路径与契机。Since the advent of the Internet in the 1990s,the media of poetry has changed dramatically.Great changes have also brought many problems to the development of poetry.However,it is not difficult to find that all kinds of"Demonized"problems in network poetry can find similar places from the reform of vernacular new poetry a hundred years ago.Therefore,from the three angles of language form,folk thought and media reform,this paper probes into the development track of poetry in the past hundred years,and objectively analyzes its inheritance and evolution,breakthrough and limitation.The historical orientation of network poetry can be seen more clearly and objectively.In fact,it is precisely the emergence of network poetry that provides a new way and opportunity for the development of Chinese new poetry in the 21st century.

关 键 词：网络诗歌 五四新诗 民间性 

分 类 号：I107.25[文学—世界文学]