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作 者:贺同赏[1] 于雅琴[1] HE Tong-shang;YU Ya-qin(School of Literature,Dezhou University,Dezhou 253023,China)
出 处:《唐山师范学院学报》2022年第1期54-59,共6页Journal of Tangshan Normal University
基 金:国家社科基金后期资助项目(17FZW040);山东省高校科研发展计划项目(J16WC13)。
摘 要:士人种菊诗,是指士人描写自身及其他士人种植菊花活动以抒情寄意的诗歌作品。北宋士人种菊诗作,涉及菊花之祛病健身延年之养生功效,美艳高洁淡泊的比德质素等多重意涵;折射出作者们不同心灵倾向,如江休复之洒落,司马光之朴素,欧阳修之悲慨,梅尧臣之温和,吕陶之坦诚,刘挚之清隽,张耒之平易、毛滂、李新之落寞等;从北宋中期的刘挚、吕陶开始,陶渊明的影像逐渐凸显出来,先是化作应对政场艰辛的平衡器,后则充当疏离社会昏乱的安慰剂。北宋士人和隐士的种菊行为暨种菊诗作,建构了一个北宋士人群体藉以涵养身心的“菊世界”。The poems of chrysanthemums cultivation by the officials refer to the poems about the cultivation of chrysanthemums by the officials themselves and other officials to express their feelings.The poems written by the officials of the Northern Song Dynasty related to the health-preserving effects as well as the moral characters of beauty,purity and plainness.They reflected the authors’different spiritual tendencies,such as Jiang Xiufu’s coolness,Sima Guang’s simplicity,OuYang Xiu’s lament,Mei Yaochen’s gentleness,Lv Tao’s frankness,Liu Zhi’s freshness,Zhang Lei’s easiness,Mao Pang and Li Xin’s loneliness,etc.Starting from Liu Zhi and Lv Tao in the middle of the Northern Song Dynasty,the image of Tao Yuanming gradually emerged.First as a counterweight to the rigors of politics,and then as a placebo for the alienation and confusion of society.The cultivation of chrysanthemums behavior and poems of the officials and hermits in the Northern Song Dynasty constructed a chrysanthemums world in which the officials in the Northern Song Dynasty cultivated their bodies and minds.
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