早期文学作品中采桑女形象的空洞化历程  

Gradual Loss of Self in the Image of Mulberry-picking Maids in Early Literature

作　　者：冯娟娟 吴从祥 Feng Juanjuan;Wu Congxiang(College of Liberal Arts,Anhui University,Hefei 230039,China)

机构地区：[1]安徽大学文学院,安徽合肥230039

出　　处：《洛阳师范学院学报》2022年第3期32-34,共3页Journal of Luoyang Normal University

摘　　要：早期文学作品中采桑女形象经历了一个逐渐丧失自我,走向空洞苍白化的历程。先秦时期采桑女形象生动多元,充满生活气息。到了汉代,受到礼教的影响,采桑女的形象在突出美与善的基础上,从多元化的形象逐渐演变为符合社会期待的贞女形象。汉末三国时期,采桑女形象经历了群体期待向个体自我化的转变过程。到了晋代,采桑女形象虽仍然保留了审美属性,但缺乏特点且重德抑色,男尊女卑,采桑女或沦为男性作家的自我抒写媒介,或成为文人虚构的理想化精致闺阁女。文学作品中的采桑女形象逐步被说教化、功利化和虚拟化,成为一种空洞的能指符号。The image of mulberry picking maids in early literary works has experienced a process of gradually losing herself and becoming empty and pale.In the pre-Qin period,the images of the mulberry picking maids are lively,and different in personality,and realistic.In the Han dynasty,influenced by ethics,the mulberry picking maids in literature gradually changed from being different in personality to a stereotypical chaste image in line with social expectations to highlight their beauty and goodness.During the three Kingdoms period in the late Han dynasty,the image of mulberry picking maids experienced a transformation from meeting social expectations to individualized self.In the Jin dynasty,although the image of mulberry picking maids retained its aesthetic attribute,it has lost its personality,merely highlighting morality and ascetic.Owing to the ideology of men’s superiority to women,mulberry picking maids became either the medium for male writers in self-expression,or the idealized and exquisite maids in the fiction.Thus,the image of mulberry-picking maids in literature developed gradually into an empty and fictional signifier,with didactic,unitarianism functions.

关 键 词：女性形象 采桑女 《诗经》 汉代 魏晋时期 

分 类 号：I206.2[文学—中国文学]