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作 者:向卿[1] 郭雯 XIANG Qing;GUO Wen(School of Foreign Languages, Hunan Normal University, Changsha, Hunan, 410081, China)
机构地区:[1]湖南师范大学外国语学院,湖南长沙410081
出 处:《日本问题研究》2022年第1期55-68,共14页Japanese Research
基 金:国家社科基金项目“江户时代日本人的身份建构研究”(13BSS016)。
摘 要:晚清民国时期中国文人的富士山认识构建了富士山作为日本代表、国家和民族精神的象征、神山、绝景、避暑胜地等多重形象和意义,也塑造了它作为“异国之山”“东亚之山”“文明之山”的多重面孔,总体上也呈现出从“客观叙述和赞美”向“赞美和批判并存”的立场转变。这种认识是主体与对象在一定时空内基于经验而发生知识性·情感性联系的过程,既立足于中国文人关于富士山的体验和知识,也受到近代文明观、中日关系变化等多种因素的影响。它也对中国人的自我认识和日本人的富士山认识产生了影响。In the late Qing Dynasty and the Republic of China era,Chinese scholars'understanding of Mount Fuji constructed multiple images and meanings of Mount Fuji as a representative of Japan,a symbol of nation and national spirit,a sacred mountain,a superb view,and a summer resort.It also endowed it with multiple faces,including“the mountain in a foreign country”,“a place in East Asia”as well as“the mountain of civilization”,thereby overall manifesting a shift from“objective narration and praise”to“the coexistence of praise and criticism”.This understanding was a formative process of knowledge and emotional connection between the subject and the object based on experience in a certain time and space.It was not only based on the experience and knowledge of the Chinese literati about Mount Fuji,but was also influenced by various factors such as views of modern civilization and changes in Sino-Japanese relations.At the same time,it also exerted an impact on the self-knowledge of the Chinese people and the Japanese knowledge of Mount Fuji.
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