宋元时期的福州雕漆  

Fuzhou Carved lacquerware of the Song and Yuan Dynasties

作　　者：郑鑫[1] Zheng xin

机构地区：[1]闽江学院美术学院,福建福州350108

出　　处：《中国生漆》2021年第4期22-24,共3页Journal of Chinese Lacquer

基　　金：中国工艺美术学会2021年度工艺美术科研重点课题《传统工艺振兴模式研究——以福州脱胎漆器为例》(课题编号:CNACS2021-I-002)阶段性成果。

摘　　要："福犀"为宋元雕漆的品牌,源自两宋时期福州漆工的借鉴"针刻"工艺的自主创新成果。文章从天时、地利、人和三个方面阐述了"福犀"兴盛的原因。并通过文献与实物互证,阐明"福犀"对后世的影响及福州作为民间雕漆重要产地的历史地位。“Fuxi”is the brand of carved lacquer in the Song and Yuan Dynasties,derived from the independent innovation of the Fuzhou lacquer in the Song Dynasties.The paper expounds the reasons for the prosperity of“Fuxi”from three aspects:time,place,and people.Based on the mutual verification of documents and objects,the paper clarified the influence of“Fuxi”on posterity and the historical status of Fuzhou as an important place for folk carving.

关 键 词：福犀 雕漆 剔犀 

分 类 号：J314.9[艺术—美术] K244[历史地理—历史学] K247[历史地理—中国史]