技艺、图式与观念:中国当代漆艺艺术范式的三种指向  

Technique,schema and Concept:Three directions of Chinese contemporary lacquer art paradigm

作　　者：龚晓田[1] Gong Xiaotian

机构地区：[1]闽江学院美术学院,福建福州350108

出　　处：《中国生漆》2021年第4期34-38,共5页Journal of Chinese Lacquer

摘　　要：中国当代漆艺分为漆器、漆画与漆立体三大板块。作为一个整体,它既要承接中国古代漆艺深厚的文化传统,又要面对当代艺术的渗透、冲击与艺术范式的当代化转型。本文以"技艺、图式与观念"作为构成中国当代漆艺艺术范式的三大要素,并分别从漆器、漆画与漆立体的视角,探析三者因不同的目标指向,在技艺、图式与观念上所形成的差异。漆器、漆画与漆立体基于各自的立场开展的多元化探索,推动了中国当代漆艺的整体进步,也带动了其艺术范式的逐步成熟。Contemporary Chinese lacquer art is divided into three parts:lacquerware,lacquer painting and three-dimensional lacquer art.As a whole,it not only has to inherit the profound cultural tradition of the ancient Chinese lacquer art,but also has to face the penetration and impact of contemporary art,as well as the contemporary transformation of art paradigm.This article takes“craftsmanship,schema and concept”as the three major elements that constitute the paradigm of contemporary Chinese lacquer art,and from the perspectives of lacquerware,lacquer painting and three-dimensional lacquer art,respectively,explore and analyze the differences of the three due to different target orientations in the aspects of craftsmanship,schema,and concept.The diversified exploration carried out with lacquerware,lacquer painting and three-dimensional lacquer art on the basis of their respective positions has promoted the overall progress of contemporary Chinese lacquer art,leading to the gradual maturity of its artistic paradigm as well.

关 键 词：中国漆艺 当代艺术 艺术范式 图式 

分 类 号：J527[艺术—艺术设计] J213.9