荆楚文化视域下的湖北水彩画群体研究  

Research on Hubei Watercolor Painting Group from The Perspective of Jing-Chu Culture

作　　者：涂远芳[1] TU Yuan-fang(Huanggang Normal University,Huanggang 438000,China)

机构地区：[1]黄冈师范学院美术学院,湖北黄冈438000

出　　处：《绿色包装》2022年第3期106-109,共4页Green Packaging

基　　金：2020年湖北省哲学社会科学繁荣计划项目(荆楚文化视域下的湖北水彩画群体研究20Y177)。

摘　　要：水彩画源于西方,发展之初受西方国家的影响,创作的作品带有明显的西方色彩。近年来,我国当代艺术发展趋于成熟,艺术家渐渐意识到中国传统文化在艺术创作中的重要地位,逐渐在创作中融入传统文化元素。荆楚文化是古代楚国存在八百多年的智慧产物,带有强烈的东方古国神秘色彩,是一支绚丽多姿的民族特色文化。在水彩画的发展历程中,荆楚文化对湖北的水彩画有深刻影响,其深厚的底蕴和丰富的内涵时刻熏陶着湖北艺术家的审美和创作理念,作者通过楚地水彩画的发展历程和具体表现对其进行研究。Watercolor painting originated from the West,the early development of Western countries by the impact of creative works with a clear western color.In recent years,China’s Contemporary Art Development tends to mature,artists have gradually realized the importance of Chinese traditional culture in artistic creation,gradually in the creation of traditional cultural elements.The Jingchu culture is the product of the wisdom of Ancient Chu,which has existed for more than 800 years.It has a strong mysterious flavor of the ancient oriental countries,and is a colorful culture with national characteristics.In the development of watercolor painting,Jingchu culture has a profound influence on watercolor painting in Hubei province.its profound deposits and rich connotations always edify the aesthetic and creative concepts of Hubei artists.the author studies the development process and specific performance of watercolor painting in Chu.

关 键 词：荆楚文化 湖北水彩画 发展历程 

分 类 号：G127[文化科学]