戴望舒诗歌新论--被遮蔽的颓废主义面向  

New Ideas on Dai Wangshu’s Poetry:Obscured Decadent Orientation

作　　者：李朝平 LI Chaoping(School of Arts,Chongqing Three Gorges University,Chongqing 404020,China)

机构地区：[1]重庆三峡学院文学院,重庆404020

出　　处：《重庆三峡学院学报》2022年第2期78-96,共19页Journal of Chongqing Three Gorges University

基　　金：教育部人文社会科学研究一般项目“抗战时期沦陷区新诗史料搜集、整理与研究”(20YJA751012)。

摘　　要：象征主义以及笼统的“现代派”称谓咸难有效涵括戴望舒诗歌创作实绩,未来主义、超现实主义等面向亦难掩其颓废风姿。在都市体验、信仰真空与时代政治共同筑就的颓废境遇里,道生、波德莱尔等西方颓废主义诗人与其个人性情一拍即合,浸润与影响甚巨,笔下遂涌动着衰颓的时间感受、持续耗散的意象群落、死亡与情欲症候等,镌刻其间的是诗人对于人生、社会和时代的绝望情绪。戴氏诗由是汇入久被遮蔽的中国新诗之颓废主义暗流中。Symbolism and the general title of“modernist”are far from enough to comment on Dai Wangshu’s achievements in poetry.In addition,futurism and surrealism are also short in hiding his decadent demeanor.In the decadent situation jointly built by urban experience,belief vacuum and contemporary politics,western decadent poets such as Dawson and Baudelaire fit in easily with him,infiltrated and had a great influence on him as well.Their works are filled with decadent time feelings,continuously dissipating entropy images,death and lust symptoms,etc.which are engraved with their despair of life,society and times.Dai’s poems thus merged into the decadent undercurrent of Chinese new poetry,which has been covered for a long time.

关 键 词：戴望舒诗歌 译介影响 颓废主义 多元现代性 

分 类 号：I206.7[文学—中国文学]