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作 者:杨晶瑜[1] Yang Jingyu(Hulunbuir University,Hailar,Inner Mongolia 021008)
机构地区:[1]呼伦贝尔学院文学院,内蒙古海拉尔021008
出 处:《呼伦贝尔学院学报》2022年第1期82-85,共4页Journal of Hulunbuir University
基 金:2019年呼伦贝尔学院基础研究类重点项目“宋辽金元狩猎赋用典研究”(2019JYZD05)。
摘 要:赋体文学发轫于战国,历经两汉、魏晋六朝、隋唐五代,发展到宋元之际,在体式上已无创新的可能。宋赋把产生于唐代的文赋发扬光大,元赋则回归本源,祖骚宗汉,以古赋为主。作为赋体文学最重要的题材之一,流传至今的宋元时期狩猎赋的篇数较之前几代大为减少,其中对赋体文学特色的继承则一如既往,用典就是历代赋作的共有特点之一。本文介绍了宋元时期狩猎赋的用典情况并就部分代表作品的具体内容进行阐述,兼及同时期北方的辽金两朝的狩猎赋作品。Fu literature originated in the Warring States Period.After the Han Dynasty,the Wei Jin Six Dynasties,the Sui Tang and the Five Dynasties,it developed into the Song and Yuan Dynasties,and there was no possibility of innovation in styles.Song Fu carried forward the literary Fu originated in the Tang Dynasty,while Yuan Fu returned to its origin.As one of the most important themes of Fu literature,the number of pieces of hunting Fu in the Song and Yuan dynasties that have been handed down to this day has been greatly reduced compared with previous generations.Among them,the inheritance of the characteristics of Fu literature is the same as before.The quotations of allusions were one of the common characteristics of Fu works in the past dynasties.This article introduced the allusions of hunting Fu in the Song and Yuan dynasties and expounded the specific content of some representative works,and also the hunting Fu works of the Liao and Jin Dynasties in the north during the same period.
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