格非叙事的“哲学与文学”——以《欲望的旗帜》和《月落荒寺》为中心  

“Philosophy and literature”of Ge Fei narration——Centered on Flags of Desire and Temple of Falling Moon

作　　者：刘潇萌 Liu Xiaomeng(School of Chinese Language and Literature,Liaoning Normal University,Dalian 116081,China;College of International Education,Shenyang Normal University,Shenyang 110034,China)

机构地区：[1]辽宁师范大学文学院,辽宁大连116081 [2]沈阳师范大学国际教育学院,辽宁沈阳110034

出　　处：《辽宁师范大学学报（社会科学版）》2022年第2期45-50,共6页Journal of Liaoning Normal University(Social Science Edition)

摘　　要：《月落荒寺》是格非2019年出版的小说,与20世纪90年代的长篇小说《欲望的旗帜》有着内在的隐秘联系。若将这两部作品与“江南三部曲”、《隐身衣》等作品连接起来,一条贯穿格非二十多年创作的脉络已然显现。梳理格非写作的发生、变化、定点、转换、现状以及未来的可能性发展,我们可以从中看到格非与世界建立的联系,对世界的阐释,对存在的追思,以及他赋予它们的文学形式。在二十余年的时间里他以“知识分子”的群像进行“自我”塑造,探寻自我存在的边际,通过外在的世界和内在的思考,去感知、了解、接受、认同并建立真实的自我,这是格非的哲学,也是他滋养在文学中的精神内核。这样缜密且具有系统性的思维和布局让人肃然起敬。Temple of Falling Moon is a novel published by Ge Fei in 2019, which is closely related to his novel Flags of Desire in the 1990s. If these two novels are connected with works such as “ Jiangnan trilogy” and Cloak of Invisibility, a thread running through Ge Fei’s twenty years of creation emerges. By sorting out the occurrence, change, fixed point, transformation, situation and possible future development of Ge Fei’s writing, we can see the connection between Ge Fei and the world, his interpretation of the world, his reflection on existence and the literary form he gave them.In more than twenty years, he shaped himself with the group image of “ intellectuals”, explored the margin of his own existence, and perceived, understood, accepted, recognized and established the real self through the external world and internal thinking. This is Ge Fei’s philosophy and the spiritual core that he nourished in literature.Such careful and systematic thinking and layout is awe-inspiring.

关 键 词：格非 哲学 真实 自我 科幻 

分 类 号：I206.7[文学—中国文学]