十七年时期妇女解放的路径与反思--以电影«马兰花开»«李双双»为例  

Paths and Reflections of Women's Emancipation in the 17 Years Period-- taking the films"Malan Blossom"and"Li Shuangshuang"as examples

作　　者：侯业智[1] 邱荣华 HOU Yezhi;QIU Ronghua(Art Collge,Yanan University,Yanan Shaanxi 716000,China)

机构地区：[1]延安大学文学院,陕西延安716000

出　　处：《上饶师范学院学报》2022年第1期77-82,101,共7页Journal of Shangrao Normal University

基　　金：陕西省哲学社会科学重大理论与现实问题研究年度项目(2021ND0423)。

摘　　要：电影《马兰花开》与《李双双》是艺术性地再现十七年时期妇女解放状况的重要影视文本。十七年时期,国家提倡男女平等,提高和保障女性的政治婚姻权利和地位,鼓励女性参与社会劳动,女性因此获得更为广阔的生存空间。两个电影文本既展现了十七年时期妇女解放的新趋向,生动地塑造了社会主义“新女性”形象,同时也间接地呈现了女性在家庭和社会双重空间中遭遇的矛盾冲突、男性标准对女性意识的束缚等涉及妇女解放深层次问题的现象。这些现象引发我们对妇女解放道路的深刻反思。The films"Malan Blossoms"and"Li Shuangshuang"are important film and television texts that artistically reproduce the situation of women's liberation during the 17 years period.During that period,the state promoted gen-der equality,improved and guaranteed women's political marriage rights and status,and encouraged women to partici-pate in social work,thus giving women a broader space to live in.The two film texts not only show the new trend of women's emancipation during the 17 years period and vividly portray the image of socialist"new women",but also in-directly present the contradictions and conflicts suffered by women in the dual space of family and society,the bond-age of male standards to women's consciousness,and other phenomena involving the deeper issues of women's emanci-pation.These issues and phenomena trigger a profound reflection on the path to women's emancipation.

关 键 词：十七年时期 妇女解放 《马兰花开》 《李双双》 

分 类 号：I207[文学—中国文学]